and that would not be too right. So all I'll say is:
Thirty-five years ago today, my parents were engaged. . . . .
And six years ago today, I got my braces on. . . . .
It seems like there should be some sort of analogy in that.
Thirty-five years ago today, my parents were engaged. . . . .
And six years ago today, I got my braces on. . . . .
It seems like there should be some sort of analogy in that.
2. Grabbing for my new shower puff and it practically melting in my
hands. Now instead of a neat, compact ball, I found to my bewilderment
that I was holding about eleven feet of blue stuff.
(and finally, today)
3. Trying to be safe by cracking an egg over the sink and realizing just
as it disappeared down the drain that I hadn't meant to do it quite that
way. (That was as I was in the middle of a conversation with my mom I'll
have you know!)
~Having lots of snow, and getting church cancelled one time because of
it.
~Singing the Twelve Days of Christmas for the home church service that we
couldn't get out of (this was after watching Dave's powerpoint
presentation on how each of the gifts were a symbolic representation of
something that God gave to us)
~Going to my first Conval basketball game of the season.
~Having my family home.
~Having a frosting party with my family when I needed help decorating the
eleven dozen cookies that I had spent all afternoon making.
~Singing and reading through a fun old Christmas program at my Aunt
Lori's with her, three keyboards, Aaron, Kimberly, Craig, Kendra, and
Clyde.
~Seeing the shy little Post boys singing up front for our church
Christmas program.
~Stealing toe socks from Chad at our church's Yankee Gift Swap.
~Reading the Best Christmas Pageant Ever out loud on our radio station.
~Going to Pizza Hut for Clyde's birthday
~Having the presents I ordered arrive on time, when I wasn't sure they
were going to.
~Missing my Grammie on Christmas Eve, since it's the first one in ages
that we haven't spent with her. (that probably wasn't my favorite moment
this season, but it was bittersweet)
~Caroling around Fairwood with my family all decked out in Santa hats
(even those who didn't want to).
~Playing games and watching movies with my family.
~Surprises on Christmas Day--like my new papasan chair! Or better yet,
hearing about Claire's baby!!!
~Watching Kristin Chenoweth sing "Taylor the Latte Boy" on Utube.
~Having dessert and a Yankee book swap with my dad's side of the family.
And so much more that made this season special! Hope yours was as
wonderful!!!
"Beethoven, what are you doing?" they cried.
Undisturbed, he replied, "I'm decomposing."
That's my chemistry teacher's (Mr. H's) latest from this very morning.
Hope it amused you as much is it did me! ;)
Now even after I've said that, it doesn't mean I didn't make mistakes.
First of all, my dad and I arrived at Memorial Highschool in Manchester
an hour before my audition. After obtaining directions from a 6'4"
athletic director of sorts (okay I didn't really ask him his height but
that's what he looked like to me), we managed to find the registration
desk, and after finding good old Mr. Sweeney who was coming to look for
us, I found myself in a room full of chaotic music. I heard Mozart in
this corner and in that corner, and scales near and far, cellos rumbling,
violins squeaking, and people chatting. Every once in awhile someone
would come walking in with an official-looking air, and a girl at the
front of the room would lean toward the mic. and the room would get
really quiet. Who was to be the victim this time? All would wonder. Then
the name and school would be pronounced over the mic, and the said person
would come forward solemnly with his or her instrument, often accompanied
by the cheers of encouragement from their fellow classmates. Ten or
fifteen minutes later they would return to be plagued with questions
about how it went and how they thought they did. Some seemed okay with
it, others felt it was a disaster. No one seemed too confident.
Finally it was my turn. All of my friends (a violinist, a violist, and
two cellists) had already gone before me and the clock had gradually
ticked closer to 5:55 p.m.: the time of my own audition. It seemed like
the room was gradually emptying of people; I think I was near the end of
a group of auditions before the judges would take a brief break and take
in a new group. More people were now talking than playing, and once when
I noticed that I was the only one playing in a rather quiet room of
people, I loudly spluttered and told them they should keep playing. A few
people chuckled. But now it was time. "Is there a Kayla _______ in the
room?" I heard the girl at the front of the room ask. I came forward. I
had been "called up."
The walk to my fate seemed long. We passed through the cafeteria of many
waiting students who had finished their auditions, winding through the
long halls until the sound of chatter had died away. I was accompanied by
a girl about my own age, who asked me questions like if this was my first
time and if I felt I knew my piece well, etc. I asked her some questions
in return, and I discovered that she had been going to try out for
All-State chorus, but she had been too freaked out to turn in the
paperwork. "But next year I'll have to try out, because I'll be singing
in chamber choir," she told me, a little grimly.
We had arrived at the room. I stepped inside, and found two very quiet,
solemn ladies within. One was given my paper; she never said a word. The
other told me in a still, whispery sort of voice what scales I was to
play. I played them without much ado, amazed at how something that you've
been working on for a year can suddenly flit past you in a flimsy
representation of playing it just once. A couple of the scales were just
fine, as close to perfection as can be expected in the circumstances,
while some of the others were more iffy. Thus I went through G major, A
major, B flat major, g minor, and c minor. In one of the minor scales I
had a moment of panic. As I was coming down my haze was broken by a
strange sounding note. I kept going, but I had the odd feeling that I had
changed key by accident, but the scale seemed to end fine so I wondered
if it was just my imagination and the sound of the melodic minor had just
taken me by surprise. When I had finished it I resisted the temptation to
ask if I could play it again, because for all I knew I could have played
it exactly as I should have. So I hoped for the best.
With the scales behind me, the whispery voiced lady came over and told me
to play from B to C on the piece of music that was already on my stand.
Here I blanked out. As I looked at the music, it didn't look anything
like the Mozart piece I'd been practicing. Had I been practicing the
wrong piece??? Quickly my mind ruled that idea out as absurd, but my mind
wasn't thinking clearly enough to stop myself from saying something like,
"I've never played this before." At least I think I said that out loud.
Did the lady laugh and say, "Yes?" No, she patiently told me that I was
sight-reading. Light dawned on marble head. Of course. I knew that. In
fact this all happened so quickly I can't remember what I actually
figured out on my own and what she told me, but I felt a little idiotic.
But letting it pass, I finally took a good look at the music. Craig had
told me that I could take my time and play when I was ready, but the lady
hadn't said anything about taking my time, and as I looked long and hard
at the music, I was afraid that their silence was growing uncomfortable.
So I decided to wing it.
A few painful minutes later, during which I wasn't wholly convinced I'd
been playing the right notes at all (my teacher tells me I'm a good
sight-reader but here I was bit skeptical), I was done. "That was
painful," I said with a little laugh, and for what seemed like the first
time, the lady smiled, if not a little vaguely. The lady handed me my
scale book (which I had only brought because I thought I was supposed to,
not because I got to use it) and told me I was going to be playing my
piece now. She started to move for the door. Once again I was met by
confusion. She had told me I was going to play my piece, so I prepared to
open my music where I was, but now she was implying that it was time to
leave? Of course I knew that my teacher had told me that I would probably
play the scales in a different room than my piece, but with Craig it was
different and as you must recall my brain was too fuzzy to remember
anything clearly. Once more the lady said something to remind me of my
stupidity by informing me that I was to move to another room. I laughed
as good-naturedly as I could, apologizing and explaining that I had never
done this before. She laughed, though it sounded like a tentative laugh
to me.
Out in the hall again I started to turn in the wrong direction, but was
called over to another room that was almost just across the room I had
just left. Here a friendly young man greeted me, a refreshing change from
the nervous lady I had spoken with previously. Inside an older, bearded
man with a rather red face awaited me. His chin rested in his hand in a
tired sort of way, and I realized how exhausting it must be to have to
listen to person after person after person playing the same exact piece.
Later my dad told me that there were 80 violinists in all trying out,
which helped me give the other two ladies some grace after their rather
cold reception of me. But not to be dissuaded by this man's look of
slight boredom, I greeted him cheerfully and he answered back cheerfully
enough. He was given my paper and the young man told me what I was to
play. I was told to start whenever I felt ready. At last, I didn't need
to feel like I was injuring them and their precious time while I caught
my breath. So I snatched the time to send up a short, wordless prayer and
then began. To be honest, I don't remember much. My body went on
auto-pilot, and I can only hope that I remembered to do dynamics. My
opening start strong like I wanted it to, though it faltered slightly in
the second or third measure. My very high runs were okay, some of my
accented notes sounded weak, and the really high trilly part right after
the page-turn was a little wimpy but not a disaster. Other than that I
don't really remember. Before I knew it I was done, and I almost asked if
that was really it. But the young man was kindly telling me I did a good
job and asking me if I needed someone to show me the way back. I could
hardly believe it, but I knew it had to be because he wouldn't tell me to
keep playing after he'd sent me out of the room would he? No, of course
not. So in a happy dream I walked back to put my instrument away, talking
with some friends along the way. I looked at my watch and found that only
ten or fifteen minutes had gone by! Who would have thought that so much
work and effort would have to culminate and be presented in a tiny period
of time before it's all over and you have no idea what hit you? It was
just mind-boggling.
I left in a stupor, but a very grateful one. It is over. And God is good.
Soda and Ice Cream Diet
As we all know, it takes 1 calorie to heat 1 gram of water 1 degree Celsius. Translated into meaningful terms, this means that you can eat a very cold dessert (generally consisting of water in large part), and the natural processes that raise the consumed dessert to body temperature during the digestive cycle literally suck the calories out of the only available source: your body fat.
For example, a dessert served and eaten at nearly 0 degrees C will, in a short time, be raised to the normal body temperature of 37 degrees C. For each gram of dessert eaten, that process takes approximately 37 calories, as stated above. The average dessert portion is 6 oz., or 168 grams. Therefore, by operation of thermodynamic law, 6,216 calories (1 cal./gm/deg. x 37 deg. x 168) are extracted from body fat as the dessert's temperature is normalized.
Allowing for the 1,200 latent calories in the dessert, the net calorie loss is approximately 5,000 calories.
Obviously, the more cold dessert you eat, the better off you are and the faster you will lose weight, if that is your goal.
This process works equally well when drinking very cold soda in frosted glasses. Each ounce of soda contains 16 latent calories, but extracts 1,036 calories (6,216 cal. Per 6 oz. portion) in the temperature-normalizing process. Thus the net calorie loss per ounce of soda is 1,020 calories. It doesn't take a rocket scientist to calculate that 12, 240 calories (12 oz. 1,020 cal./oz.) are extracted from the body in the process of drinking a can of soda.
Frozen desserts, e.g., ice cream, are even more beneficial, since it takes 83 cal/gm to melt them (i.e., raise them to 0 deg. C) and an additional 37 cal./gm to raise them further to body temperature. The results here are really remarkable, and it beats running hands down.
Unfortunately, for those who eat pizza as an excuse to drink soda, pizza (loaded with latent calories and served at above body temperature) induces an opposite effect. But, thankfully, as the astute reader should have already reasoned, the obvious solution is to drink a lot of soda with pizza and follow up immediately with large bowls of ice cream.
We could all be thin if we were to adhere religiously to a pizza, soda, and ice cream diet.
Happy eating!
As I listened to my teacher reading this I couldn't keep myself from grinning and grinning. I shoved away the majority of my skepticism as I basked in the revelation of this incredible idea. Why, this is genius! The whole world must have it wrong! And how come I never heard this before? But of course, if you are chemistry-savy like I'm not (that would be why I'm taking chemistry!:), you may have been able to point out the gross error in this theory (besides your common sense telling you that you can't get thin eating icecream and soda) as you read--there's a huge difference between "calorie" and "Calorie." And those are terms that were kind of blurred in the account above. But hey, it sounded good, right?
Now I wonder if any of you were as gullible as I was . . . .
It’s incredible how many opportunities exist for unique conversations at the dinner table. Why, in a setting you’re comfortable in you can talk about pretty much anything, whether intense or hilarious! Provided it’s appropriate for the dinner table. But that point is often debatable.
Anyway, take one dialogue that happened a number of weeks ago at my own family’s dinner table. We were discussing the cows that might be given to Fairwood if only someone around here knew how to, well, cut them up. Somebody mentioned that so-and-so’s father had known how to do it. That’s nice, but I’m afraid it wouldn’t do us much good now because that dear person passed on to heaven some time ago. Anyway:
I sat there, a reply shuddering on my lips. Did I dare say it? I think very highly of this person . . . but it was just too good to pass up. I yielded to temptation.
Me: Yeah, we could package it up and send it to him. Maybe it would get roasted on the way!
Too bad I couldn’t say it with a straight face.
And, moving on, it’s also interesting how certain things said aloud stimulate unusual thought processes, before you even realize that what you’re thinking is too absurd to be true. Here’s another recent dinner table dialogue:
Craig: What grandkids? (or maybe he said “whose grandkids?”)
My train of thought: Yeah at the rate things are going
Oh wait.